![]() ![]() ![]() The press release accompanying the new music includes his preemptive warning that it "isn't funny or raucous," that "here are very few hoots and almost no hollers. Carll's first album in half a decade, the Joe Henry-produced Lovers and Leavers, strikes a heavier tone. Easily transpose songs, and export to PDF. Renders text in any font, use different size or style for the chord symbols. While Carll has delved into unchecked melancholy on occasion - his eloquently self-pitying weeper "Chances Are" inspired a Lee Ann Womack cover - he's been fairly quiet about his pensive side, until now. softChord Editor completely store and edit song lyrics with chords. ![]() There was the honky-tonk lament of a newly minted Jesus freak's jealous husband ( "She Left Me For Jesus"), the fumbling flirtation of bar flies with diametrically opposed political convictions ( "Another Like You"), and the talking-blues ballad of a hapless young soldier recruited by the Pentagon for a special mission ( "KMAG YOYO"), among many other droll crowd-pleasers. Some of Carll's most beloved hits - to the extent that there is such a thing in the singer-songwriter and Americana scenes that he straddles - features situational humor and hooky punch lines delivered over shambling, down-home grooves in a fractured twang that plays up a badly sprained ego. Very often, though, he's leavened the losing with cleverly deployed gallows humor, self-deprecation and yarn spinning, linking his work to his native state's tradition of wryly winning musical wit, a writing trait he shares with Guy Clark, Robert Earl Keen, Lyle Lovett and even Miranda Lambert. Much of the songwriting catalog he's built up over the last dozen-plus years revolves around dashed dreams, doomed romance and drunken predicaments. Hayes Carll, Lovers And Leavers (LabelTK/Thirty Tigers 2016)įailure has always been a favorite topic of Texas troubadour Hayes Carll. ![]()
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